The inside story of the Ministry of Sound sound system
Ministry of Sound is the home of dance music. Buy London club and worldwide tour event tickets, read our latest news, book fitness classes and more. Jul 30, · The Ministry of Sound (MoS) opened in and was inspired by probably the most famous club in the history of electronic dance music: Paradise Garage in New York. Fronted by Larry Levan, one of the founding fathers of house music, the club was crucial in the birth of house music and built around a custom-designed sound system.
Ministry of Sound Group is a multimedia entertainment business based in London with a nightclubshared workspace and private members club, worldwide events operation, music publishing business and fitness studio. InPresencer became chairman. Ministry how solar cells convert light to electricity Sound began as the idea of Justin Berkmann. It had lights, darkness, music, quiet — everything you wanted"  - Berkmann set out to create London's first club devoted to the American house music scenes of s New York CityNewark which centred around Club ZanzibarGregory porter 1960 what discogs and Detroit.
As opposed to striking a balance between the typical hallmarks of a live music venue, Ministry of Sound was conceived as an arena purely dedicated to sound. In addition to drawing inspiration from the Paradise Garage, the club borrowed the idea of using changing set designs from another New York City club, Areawith the first being based around Blade RunnerBerkmann's favourite film.
Berkmann was introduced to James Palumbowho was working in property finance at the time, by Humphrey Waterhouse to realise the concept. The club opened on 21 September and has remained in this location since. According to Berkmann, it managed to empty rival nightclub Tramp for its first six months by drawing its celebrity clientele, before "they stopped coming and it was more about the dance music community". The capacity of The Box the main room is people, and there are other smaller rooms within the club.
There are three weekly club nights: Fridays feature Lock n Load brand The Gallery which are primarily trance musicwhilst Saturdays host a number of club nights which are primarily house music. On Tuesday the club hosts a student session called Milkshake, established in From toMinistry of Sound fought various public campaigns to save the club from the threat of closure.
InMinistry of Sound partnered with Dolby Laboratories to bring surround sound Dolby Atmos to the nightclub, a first in the industry. The Ministry is a new members club and shared workspace for creative businesses, which opened in in London. The first building at Borough Road will include four floors of tailored private offices and shared working areas, meeting spaces, soundproof studios, an immersive tech suite, a full-service restaurant, a bar 70 feet in length, an outdoor terrace, a seater cinema and an events space with a diverse events programme.
Under its Ministry of Sound and Hed Kandi brands, the business hosts approximately international tour events annually across the world. Inthe brand featured as part of the stage line-up at festivals including The Ark cruise ship Adria Summer Festival and Ultra Europe. The fitness studio previously the club's back-of-house vault where the alcohol was stored opened in February Classes run from Monday to Sunday, and an on-site bar offers a range of drinks from protein shakes to alcoholic cocktails.
The music publishing business was established in It is independent of the record label that was acquired by Sony Music, and is headed up by Ben Bodie. The first artist signed was Examplewho achieved two UK number 1 records, three top 10s, two top 20s, two gold albums and one platinum number 1 selling album, Playing in the Shadows.
The Compilations business was first established in with the release of Sessions Volume One a compilation album of dance music mixed by Tony Humphries. The album was a commercial success. The business has now sold more than 55 million compilation albums worldwide. Ministry of Sound Radio how to convert raw to jpeg in adobe bridge an online only service broadcasting hours a day from Ministry of Sound's offices adjacent to the nightclub.
From Wikipedia, the free encyclopedia. Evening Standard. Retrieved 20 February Retrieved 30 November The Manual: The who, the where, the why of clubland. Headline Book Publishing. One idea that got dropped was The Mad Axeman on". Archived from the original on 1 February London SE1. Retrieved 9 February Retrieved 30 March Retrieved 20 March Time Out London. Retrieved 3 April Brit Awards Ltd.
Retrieved 26 February Digital Spy. Sumo Radio. Masaru Ibuka Akio Morita. Categories : Ministry of Sound Mitsui Sony Music mergers and acquisitions British brands Nightclubs in London British record labels English record labels English electronic dance music record labels Buildings and structures in the London Borough of Southwark Electronic dance music venues.
Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Wikimedia Commons. Limited Company. James Palumbo. Ministry of Sound Group.
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rows · Feb 17, · Over the next fifteen years, the MoS brand / logo has grown into a . Having resorted themselves to just making playlists on Apple music these days, Ministry of Sound label had just one job to do in - The Annual - and they couldn't even manage that. Of all the fantastic club tracks from they could have added they instead go with the cheesy and obscure ones/5(). 2 days ago · Proving themselves to be ‘Hot Since ’91‘, London clubbing institution Ministry of Sound still sits firmly at the summit of the electronic scene to this day. Blessing ravers in Elephant & Castle with some of the finest club line-ups, the iconic ‘Box’ has played host to the likes of NERVO, Third Party, Tchami x Malaa, deadmau5, Throttle, EDX, Kryder, and many more in recent years.
Ministry of Sound. You'd think it would be obvious from the name, but such is the size and scale of what is now a fully fledged media brand, you could be forgiven for overlooking the fact that Ministry of Sound began life as a club, where the number one priority was sound quality.
Mention Ministry of Sound now and it means different things to different people. There are the ubiquitous music compilations 60 million sold to date. Then there's the record label, which began life putting out underground dance music singles but has now had 19 no.
More on those later. But the people behind the operation now are adamant that the brand was built on the sound system. A system which draws hundreds of thousands of people to an out-of-the-way corner of southeast London every year, which won the Best Club Sound System at the International Dance Music Awards from to every year they ran the category , and stands as arguably the most famous dance-music venue in the world.
Ahead of the launch of the brand's new headphones and wireless speakers, we visited the club to find out how it all began, the sonic secrets of 'The Box' and how the system is tweaked on a weekly basis to stay ahead of the competition The Ministry of Sound MoS opened in and was inspired by probably the most famous club in the history of electronic dance music: Paradise Garage in New York. Fronted by Larry Levan, one of the founding fathers of house music, the club was crucial in the birth of house music and built around a custom-designed sound system.
Justin Berkmann, the founder of MoS, fresh from spending time in New York, came back to London in eager to replicate the Paradise Garage experience.
It was sound system first, service second and design last, which is pretty much the opposite to every other club now. Vegas clubs spend more on lighting than the sound system. Once the venue was found, work began on a custom-built system based on a Richard Long design - the man behind the New York club system they wanted to replicate. Following a lot of trial and error, a system was installed. A process of tweaking followed, before the club opened with little fanfare.
It sent a message of intent from the off, but left the rest of the facilities unashamedly basic. Phil says: "It was open hours, with no alcohol licence. Everyone thought he [Berkmann] and James Palumbo [fellow MoS founder] were mad to put all of their money into the sound system The system that has picked up all the awards, and stands today, is as much about the room, known as The Box, as it as about the components - a hi-fi principle if ever there was one.
Chris Thoms, club production manager, explains: "The sound system is only one half of the equation. There's also the room, the acoustic environment. As much time and effort has gone into the room as the sound system. Reflections are kept to a minimum thanks to the treatment and also the layout of the six speaker stacks. The reverb time is less than a second meaning that "everything you hear is coming from a speaker, not bouncing off a wall", as Chris puts it.
On that subject, it turns out the Ministry of Sound system is itself massively over-specced - purely so it can run well under capacity. Frankly, eveything else is secondary. All of the cabinets are designed specifically for the system.
The top got done first, subs a few years later, then the big subs around We were never stressing the drivers or having to replace them. And this makes a change from the early days, when we're told a certain unnamed resident DJ would proclaim it wasn't a good night unless he'd blown eight drivers. That began to prove rather expensive The speakers in The Box come in 12s, it seems.
There are 12 x 21inch, 9. All the speakers and electronics in the room? As Phil explains, knowing the room inside out allows them to make on-the-fly tweaks in line with what the DJ is playing, as well as longer-term changes as required.
For example, Chris explains that the central stacks at the front and back of the room are delayed by a few milliseconds, which makes them appear further away - a neat trick to make the sweetspot a little bigger. We know the frequency response and how it performs in every square of the room.
We know where the hot-spots are. We're shown a map of the dancefloor that indeed plots the frequency response in every corner of the room. This clearly helps when making adjustments using the processing console - something which happens on a minute-by-minute basis when it comes to club nights. But running their regular test tracks and getting the system sounding how they like it sadly isn't the end of the matter.
We always want it to be clear, never distorted. We build in lots of headroom. Thankfully it seems Chris is usually able to be a little more hands-off with the system during his working night. It's also Chris and Phil's job to stay on top of developments in club and speaker design to ensure Ministry keeps its self-proclaimed place - albeit with plenty of awards to back it up - at the top of the club sound system league. So where do Ministry rate the system? The most important people in the club are of course the paying punters and while it would be easy to dismiss the idea that people care about audio quality at 3am, there's no doubt in Chris and Phil's minds that the quality of the system impacts on their experience in a positive way.
The common thing [at other clubs] is for people to leave the club and complain about their ears ringing. We have tonnes of volume but we have clarity and no distortion.
One of the objectives is that nobody leaves here with their ears ringing. And while many of the latest breed of DJs - who are more used to playing the plethora of festivals and warehouse-style parties that are currently in vogue, and where the sound systems by nature are more transient - may not value the sound system, there are still plenty of artists who do. Phil is keen to stress that the new Ministry of Sound Audio range of products aims to do justice to the club and the sound system.
While previous Ministry products were ultimately little more than a branding exercise - albeit a fairly successful one, we're told - this new range aims to match the sonic heights of the club system, but in the world of wireless speakers and headphones.
Phil has been heavily involved and is bullish about the audio quality. These are custom-designed from the ground up. Acoustics is part science, part art.
I understand how people react to sound. That's a bold claim. We look forward to hearing how the new products measure up when we get them in our test rooms for review. Aside from the Audio range, there's the business of a new club, which is scheduled to open in Again, a lot of thought is being put into the rooms, and there's a lot of debate about sound systems with our partners, Martin Audio.
It needs to be better than it is now. And what will come of The Box? But one thing remains certain, sound quality will be the number one concern, as it was back in "The new venue is about retaining that authenticity, the core experience. That excellence in sound story has to prevail. See all our Ministry of Sound news and products. What Hi-Fi? Please deactivate your ad blocker in order to see our subscription offer.
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